Faith, hope, authority: Healing practices in Eastern Podolia region The article describes the practices of people using complementary medicine and alternative methods of healing in a Ukrainian village of Murafa and the city of Vinnytsa, both situated in historical Eastern Podolia. I analyse the figure of healer and also attempt to scrutinise local complementary medicine market. In my analisys I use the concept of bricolage and combining practices based on discourses of science, folk, traditions, and spirituality. I also examine the ways in which healers use practices usually related to institutions such as the church or state in order to make sense of their work. The example of state and its institutions serves as an illustration of an object deconstructed in common consciousness, but still generating subliminal attachement to its manifestations; similary I try to look at the question of complementary medicine and healers acting in this field. I conclude my reflections analysing the embodied experience of change that seems to be essential in a successful process of healing. Surveying Programs Ti 89.

Bourdieu, P., Wacquant, L.J. (2001) Zaproszenie do socjologii refleksyjnej. Warsaw: Oficyna Naukowa. Google Scholar: Bowles, S., Gintis, H. (1976) Schooling in Capitalist America: Educational reform and the contradictions of economic life. New York: Basic Books. Google Scholar: Brookfield, S. (1995) Becoming a Critically Reflective Teacher. Bourdieu, Okonomisches Kapital, kulturelles Kapital. Bourdieu, J.D. Wacquant, Zaproszenie do socjologii refleksyjnej, Warszawa 2001, s.

The article discusses the possibilities of deploying multi-semiotic tools of (non) remembrance in contemporary urban spaces. Free Program Sample Preparation For Sem Pdf. The challenges of such deployment are discussed in the context of sociological and social-theoretical reflection on the urban human condition and the urban space as well as on the role of monuments in traditional pathways of urban remembering. Departing from the latter, I argue for new forms of commemoration and remembrance, especially via the so-called counter-monuments that constitute contemporary artists’ discursive response towards hegemonic narratives and practices of memory-making. As an example of countermonumental remembrance in contemporary urban spaces, I analyse Gunter Demnig’s famous Stolpersteine (stumbling-block) installations. Fortec 999 Hd Software. Commemorating the Holocaust and placed across several major European cities, the Stolpersteine constitute a very prominent example of counter-monuments that both undermine the long lasting narrations of the urban history as well as propose new, ‘lived’ as well as dialogic format of dealing with the urban’s problematic pasts.